Photography Composition 3
This is the third part of the series about composition in photography. For this one, we are going to chat about lines and curves. The previous two articles can be found below.
Everything is a Line or a Curve
Everything we see is made up of lines or curves. From buildings to wheels to an egg, everything is made of these two fundamental lines. A curve is a bent line in this context. When we look about us we see lines disappearing down lengths of a road or we see curves spiralling away while looking down a flight of circular stairs. Lines are everywhere and with some patience and time, we can spot these and use them.
A few examples of some lines:
- The sides of the road
- The edge of a building
- Tiles on a house roof
- The stem of a flower
- The horizon
- Everything you look at has a line or a curve
A couple key things about lines and curves are:
- Lines can connect or separate objects in a photo. Think of that typical shot of a road disappearing over the horizon
- Lines can lead the eyes to certain points in a photo
- Lines can convey emotion. Think runner leaning forwards about to sprint, the aggression
- Vertical lines are strong and powerful. Think pine trees standing proudly
- Diagonal lines imply motion. A building about to topple
- Curved lines are slow and meandering and leading the eyes to the end. Thin a spiral staircase or maybe the centre of a sunflower
- Horizontal lines are steady and calm. Think of the horizon
Keep the lines and curves subtle so they do not overpower a photo and avoid the lines becoming the subject. Unless that is the object of the photo.
Here are a few examples of lines and curves.
Lines and curves are everywhere. Practice in your mind spotting these shapes and imagine them as a photo. Very quickly you will see that we are completely surrounded by all sorts of lines. See if they leed your eyes to a point. Do the curves leed their way to somewhere?.
Practice looking and seeing.